April 2025 Meeting Notice

A Compleat Tutorial on The Quiet Art of Noise

in Analogue Audio Circuits

Presented by

Jamie Angus-Whiteoak

Emeritus Professor of Audio Technology,
Salford University

Produced By

Jess Berg & Dan Mortenson

and the AES Pacific Northwest Section

April 12 2025

Doors open at 12:30 PM PDT(UTC -7)

Meeting starts at 1:00 PM PDT(UTC-7)

This is a Zoom only meeting

Register Here

 

We welcome everyone at Pacific Northwest AES meetings and registration is free.

Although we do most of our audio processing in the digital domain these days, there are still places in the audio chain that require low noise analogue circuits. These are primarily at the beginning where transducers such as microphones, magnetic pick up cartridges, tape heads, etc. provide analogue signals that must be amplified prior to digitisation, and also at the converters (analogue to digital and digital to analogue) which often have challenging dynamic ranges to deal with. This requires low noise circuitry in order to handle the dynamic range of these systems.
 
Unfortunately many of the texts on noise in analogue systems assume the presence of a resistive source impedance for the transducer or signal.  In audio this is seldom true because capacitor microphones, tape heads, and magnetic pick up cartridges have a significant, and often high reactive component in their impedances, plus the traditional resistive based noise analysis is insufficient.
 
The purpose of this tutorial is to provide both an introduction to noise in audio circuits and a framework for analysing noise in valve/tube, transistor, FET/MOSFET, and Op-Amp circuits. 
 
The tutorial will be in two parts with question and answer sessions, and a break between them.  Each part will be around 45minutes, with a Q&A session after each one.
 
The first session will cover what sorts of noise occur in analogue circuits and devices.  It will also develop a framework for identifying which components would work best in different situations and look at basic approaches to achieving low noise operation for a variety of transducers. It also will provide some “rules of thumb” for good practice for low noise circuit design. 
 
The second session will look at some more advanced circuit topologies and strategies for achieving low noise circuits, particularly where a very wide dynamic range might be required. It will include conventional circuits, as well as some speculative ideas on how this might be achieved.
 
Both sessions will have space for discussions and questions. The presenter will also endeavour to minimise the amount of mathematics involved. 
 
The sessions should be suitable for people who have never looked at low noise circuit design as well as, hopefully, having content that will appeal to people with some expertise in the subject.
About the Presenter:
 
Jamie Angus-Whiteoak is Emeritus Professor of Audio Technology at Salford University. 
 
Her interest in audio was crystallized at age 11 when she visited the WOR studios in NYC on a school trip in 1967. After this she was hooked, and spent much of her free time studying audio, radio, synthesizers, and loudspeakers, and even managed to build some!
 
She has worked in both industry and academia in diverse fields from integrated optics and acoustics to analogue and digital signal processing. Jamie’s expertise ranges from valve (tube) circuits to the applications of esoteric number theory in signal processing. She has pioneered degree level courses in both music technology and electronic engineering in the UK.
 
Jamie is the inventor of: modulated, wideband, and absorbing diffusers, direct processing of Super Audio CD signals, and one of the first 4-channel digital tape recorders. She has done work on signal processing, analogue circuits, and numerous other audio technology topics. 
 
She has been active in the AES for 30 years and has been paper’s co-chair for previous conventions as well as a judge for the student project and Matlab competitions.
 
Jamie has been awarded an AES fellowship, the IOA Peter Barnet Memorial Award, and the AES Silver Medal Award, for her contributions to audio and acoustics. She has also been awarded the AES Gold Medal Award in Helsinki in 2023, “For extraordinary contributions as an innovator and inventor in the fields audio science, acoustics, and signal processing”.
 
For relaxation she likes playing drums and dancing, but not at the same time.

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